“The likelihood of a variety of new approaches to application UI both excites me and scares me a little.” Read the interview by Khoi Vinh.
On June 29, 2017, the Council for German Orthography endorsed the optional use of a capital sharp s (ẞ). Written by Christoph Koeberlin.
“These selections are made by graphic designers, type designers, educators, and enthusiasts who have a peculiarly acute eye on the type scene, capable of spotting worthy needles among the haystack of thousands issued every year.”
From 16 June through 1 October, the Special Collections of the University of Amsterdam will be showing the exhibition “Modernism: in print”. It is the first retrospective exhibition of modernism in Dutch graphic design.
Originally designed for newspaper text, Exchange strives for clarity and efficient copyfit across multiple platforms.
For anyone who is used to the Latin script, Cyrillic looks familiar and foreign at the same time – so many seemingly flipped Latin letters, a lowercase that looks more like small caps… A story by Krista Radoeva.
Sign painting is an art and a craft that has attracted and fascinated both designers and laypersons alike for decades. A story by Ilene Strizver.
TypeTogether just released Teo Tuominen’s Walter family, a kindly and commanding slab serif that’s ready for your next project.
Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters. Designed by by Shiva Nallaperumal, Typotheque.
Plus: How Apple, Facebook, Google, and more tech-world heavyweights describe their design jobs. A story by Lo Min Ming, Co Design.